Sir Frank Short

frankshort2                               Sir Frank Short1

Sir Frank Short RA PPRE lived in Seaford from 1922 to 1939  at Ingleside, 46 Claremont Road. Francis (Frank) Job Short was born on 19 June 1857, at Stourbridge, Worcestershire. He was first educated to be a civil engineer. Short was engaged on various works in the Midlands until 1881, when he came to London as assistant to Baldwin Latham in connection with the Parliamentary Inquiry into the pollution of the River Thames. In 1883 he was elected an associate member of the Institution of Civil Engineers. Having studied at the Stourbridge School of Art in his early years he joined the South Kensington School of Art (the first name of the current Royal College of Art) in 1883. Short also studied at the life class under Professor Fred Brown at the Westminster School of Art, and for a short time at the Schools of the Royal Institute of Painters in Water Colours.
His real life-work now became that of an original and translator engraver. He was a keen student of the works of JMW Turner amongst others; and his etchings and mezzotints, examples of painstaking devotion and skill, were among his earliest successes, combining sympathetic study of the originals with a full knowledge of the resources of engraving and unwearied patience. Short received praise, constant advice and encouragement from John Ruskin, and the co-operation of students of Turner such as William George Rawlinson and the Revd. Stopford Augustus Brooke. After completing the series from the existing plates of Turner's "Liber" Short turned to the subjects which Turner and his assistants had left incomplete. Several remarkable plates resulted from this study, bearing the simple lettering "F. Short, Sculp., after J. M. W. Turner, R.A.," which told little of the work expended on their production even before the copper was touched. He was consulted by Whistler for his expertise in printmaking and became friends.

Short also reproduced in fine mezzotints several pictures of George Frederick Watts, "Orpheus and Eurydice," "Diana and Endymion," "Love and Death," "Hope," and the portrait of Lord Tennyson, all remarkable as faithful and imaginative renderings. His own fine quality as a watercolour painter made him also a sympathetic engraver of the landscapes of David Cox and Peter de Wint.

A blue plaque marks Short's former home from 1898 to 1927 at 56 Brook Green, Brook Green, Hammersmith, London.[2]

As head of the Engraving School at the Royal College of Art, South Kensington from 1892-1920 and the inaugural Professor of Engraving from 1920 to 1924, Short had enormous influence on younger painter-etchers and engravers, including Percival Gaskell RE, Margaret Kemp-Welch RE, Martin Hardin RE, Job Nixon RE, Robert Austin RA, PPRE, Mary Annie Sloane, ARE, Malcolm Osborne RA, PPRE, Henry Rushbury RA, RE, Dorothy Woollard RE, Frederick Griggs RA, RE, Stanley Anderson RA, RE, and Eli Marsden Wilson ARE amongst many others. [3] It is well recorded that Short was an outstanding and inspirational teacher.

Short was elected a member of the Royal Society of Painter-Etchers and Engravers in 1885, and took a prominent part in conducting its affairs, becoming assessor (vice-president) in 1902. In 1910 he succeeded Sir Francis Seymour Haden as its second president for 28 years, steering the society through the First World War and the etching boom of the 1920s and its crash from 1929.
Short received, amongst other distinctions, the gold medal for engraving at the Paris International Exhibition, 1889, and another gold medal for mezzotint (Rappel) 1900. In 1906 Short was elected an Associate of the Royal Academy, when membership as Associate Engraver was revived; and in 1911 he was elected a full Royal Academician, and also received a knighthood. His work as a watercolourist was recognised in 1917 when he was elected a member of the Royal Institute of Painters in Water Colours. Short was Treasurer of the Royal Academy from 1919 to 1932.

Short wrote several influential books on original printmaking: "On the Making of Etchings" was first published in 1888 and republished in 1911, 1912, 1951 and is still in print today. "British Mezzotints" from 1924 is a standard reference on original mezzotints.

In October 2018 a new book about Short was published by local author Jame Trollope. Short's Sussex explores the works he did in Sussex in his later life, and includes 40 images. Copies of the book can be purchased from Seaford Museum and directly from the author.